Tag: original writing

  • Scribd Twofers: A poem and an essay


    Art

    Shapes in
    raw granite, 
    a person.
    An unaware,
    apathetic block-
    head
    staring blankly 
    in the mirror,
    hammered and sanded.
    
    From top
    to toe, 
    mouths run - 
    collecting minerals -
    dribbling away.
    Forward springs life,
    etching down
    the drain.
    
    Rock chips
    stumble over
    each other.
    Dust finds home
    on rough edges - 
    inevitably the floor,
    cracks in my dry,
    clay-soaked hands,
    and cloth folds  
    wherever paint
    doesn’t already cling. 
    
    The eyes:
    pained,
    long set.
    A muscular beauty,
    the rest,
    one casual greeting 
    at a time.
    
    In and out
    of days,
    nights fitting
    somewhere between, 
    apparently. 
    I work.

    Pages: 1 2

  • The Sons of Laocoon

    Please, good 
    hatred, 
    I crave your amnesty’s 
    desire.
    
    I live 
    without rent due 
    anytime this month - 
    seek me.
     
    On occasion, 
    the one 
    she missed;
    less often
    each day. 
    
    Who taught her those 
    things, yes, 
    you like. 
    Much obliged. 
    
    Her sculpture, an
    idle thing to
    revere - 
    an idea
    
    molded to 
    life
    scrape by
    harrowing scrape.
    
    Her best image,
    a stampede alight, oh
    alright.
    
    Cherish her, I
    could not.
    Keep her, 
    you could not.
    Try. 
    
  • The Process x River People

    Settling my hand
    on a bur oak’s 
    bare chest. 
    Flailing distantly 
    for the giving reach
    and feeling encouragement 
    from limestone
    crevices beneath -
    I leap. 
    Hints of living
    where fish
    swarm in silver darts
    for lunch
    and never hunger.
    She holds enough.
    They have two children
    in thick, wool hats.
    A transparent bond
    below a howling dog’s
    wounded voice
    caroling softly 
    across the bristling stones. 
    
    More here!
  • Limón

    Sometimes, 
    if only cherries
    had a kiss. 
    Sprouting 
    endearing pestilence. 
    Most, yes - 
    alright - 
    all
    of the time, 
    I’d rather 
    have lemons’
    early dew. 
    

    in the soft torrential curls that
    pool at the base
    in that fresh morning milk
    comes the caustic awakening
    sonrojo en su sonrisa
    the same flavor as sunrise

    I’d rather 
    tener palos para
    construir una cabaña.
    I’d like you to
    scratch my chest,
    claw at the limbs,
    burn from the roots,
    and watch my fruit
    
    
    
    fall. 
    
    In collaboration with Caitlyn Salinas. My deepest gratitude and respect.
  • Could Never Pretend

    I am not the carbon copy,
    but rather the rough
    suffocating diamonds.
    In these dank caves,
    nothing comes through -
    signals upon waves
    upon kilojoules of pixels.
    Time to turn off the news. 
    
  • Siren

    Listening to your voice, I wonder how many beautiful poems I’ve hated listening in mine.

  • Vinyl

    Originally posted 4/4 (music credit: K’s Choice)
  • These Mutts are Near

    No dogs on the bridge.
    No bikes either,
    for that matter. 
    But definitely no dogs
    without leashes. 
    That’s how they get you:
    you say, 
    dogs without leashes,
    we can cross that bridge
    when we get there.
    All of a sudden,
    you can’t cross with the dog,
    so, you ditch the leash
    and boom,
    you’ve violated the sacred
    oath.
    No dogs without leashes. 

    Pages: 1 2 3

  • cream

    cream


    i.    

    Elt tripped over his thoughts stepping into the light, swinging against the weight of his gun. The matte black Impala soaked in afternoon sun while waiting for backwoods dust to settle. The thick pine wood isolated the road in a semi-circle around them. Elt didn’t think he needed the piece, but it made him feel good – powerful.

    “Even when we go to the fucking McDonald’s, he’s ordering oatmeal.” Mosely didn’t retort, just grunted back at Elt’s whining. Elt always did the talking. Mosely knew these jobs made Elt nervous. Mosely liked his job. He pretended Elt’s monologues beset him. Despite the squealing pitch, Mosely liked that Elt found humor in long pauses of their job. The job was already morbid, Elt figured, and that silence gave him the creeps. Elt didn’t push fate too far, but knew it didn’t bother Mosely. One of his few instances of self-awareness.

    “I mean who does that? Pretentious prick.” 

    Elt eyed the meadow between the trees and the woods suspiciously. He flicked the safety of his piece on and off. He stopped when he got nervous that he’d lost track of where he left off. 

    “Alright, flip for it?” Elt tried not to sound too casual. Mosely took the bait. He left his wide frame straight on as he turned to side eye Elt. Heat from the Impala filled the space between them. That’s the closest Elt got to confirmation. He called “tails” on the quarter pinging through the air.

    He smacked the quarter over and allowed himself a slanted smile, “I win.” Again, he timbered his voice to stay even. If he knew one thing from jail that stayed true no matter what, don’t piss off the big guy. Especially when you only made it up to 180 pounds soaking wet. Mostly grease. 

    Mosely grunted and uncocked the gun he had resting at his hip. If it wasn’t the cops, it was the farmers. If it wasn’t the farmers, it was Elt’s pale, pretty face and screeching to ruin a good job. Not sadness, but something relative to Mosely, winced a bit at the thought of the loss. 

    Pages: 1 2 3 4

  • The Final Rising

    “Here lies a man
    who laughed at everything,”
    a speckled, gray stone declared.
    The name “Ulta Mareis”
    sunk into its brow.
    “Even his own pain,”
    a woeful voice agreed.
    Faceless and gowned in black,
    uproarious laughter broke through
    solemnity
    as they dropped their flowers.
    Loudest and highest of all,
    when the last rose
    found its resting place;
    Ulta Mareis gave his last laugh.